An inclusive must-buy for all upper elementary collections and for any institution serving an Indigenous community.” –School Library Journal

A joyful, proud and groundbreaking collection of letters and art for young people, You Were Made for This World brings together celebrated Indigenous voices from across Turtle Island.

Every young person deserves the chance to feel like they belong, that they are recognized, that they matter. In the spirit of A Velocity of Being: Letters to a Young Reader, You Were Made for This World brings together forty Indigenous writers, artists, activists, athletes, scholars and thinkers with a joint purpose: to celebrate the potential of young people, to share a sense of joy and pride in language, traditional and personal stories and teachings, and shared experiences, and to honor young people for who they are and what they dream of.

Including contributions from activist Autumn Peltier, singer/songwriter Tanya Tagaq, hockey player Ethan Bear, Governor General’s Award–winning author David A. Robertson, artists Chief Lady Bird and Christi Belcourt, illustrator Mangeshig Pawis-Steckley, and dozens of others, this beautifully collaborative collection urges readers to think about who they are, where they come from and where they’re going, with a warm familiarity that will inspire you to see yourself and your community with proud eyes.

Humanity has nearly destroyed its world through global warming, but now an even greater evil lurks. The Indigenous people of North America are being hunted and harvested for their bone marrow, which carries the key to recovering something the rest of the population has lost: the ability to dream. In this dark world, Frenchie and his companions struggle to survive as they make their way up north to the old lands. For now, survival means staying hidden – but what they don’t know is that one of them holds the secret to defeating the marrow thieves.

An Anthology of Monsters by Cherie Dimaline, award-winning author of The Marrow Thieves, is the tale of an intricate dance with life-long anxiety. It is about how the stories we tell ourselves can help reshape the ways in which we think, cope, and ultimately survive. Using examples from her books, from her mère, and from her own late night worry sessions, Dimaline choreographs a deeply personal narrative about all the ways in which we tell stories. She reveals how to collect and curate our stories, how they elicit difficult and beautiful conversations, and how family and community is a place of refuge and strength.