Xavier “Priest” Priestly is a snarky former seminarian turned private investigator. Dusty Queen is a hard-as-nails professional stuntwoman and freelance bodyguard. When Dusty’s girlfriend suddenly disappears, a woman in a strange blue wig tries to assassinate Priest, and a twelve-year-old boy shows up claiming to be his son, the two friends are thrown into a maelstrom of intrigue and high-stakes violence that’s as convoluted and dangerous as it is hilarious.

Thankfully, Priest and Dusty don’t have to navigate these tangled mysteries alone. Aided by a lawyer who’s underwhelmed by their extra-legal methods, a strait-laced detective who doesn’t trust them as far as he can throw them, and Priest’s father, a notorious bank robber, they are well equipped to deal with potential kidnapping and attempted murder. But whether Priest is up to the challenge of a son with a gun, a backpack full of weed, and a major attitude problem … well, that’s a different story.

With its unforgettable cast, parade of twists and turns, and breakneck pace, The Seminarian showcases Hart Hanson at his best. Packed with action and glistening with snappy dialogue, surprising tenderness, and (mostly) good people doing some exceptionally bad things, this distinctive thriller is as entertaining as it is insightful.

Skellig runs inside just in time to save Avila from two gunmen but too late for one of Avila’s bodyguards—and wakes up hours later in the hospital, the only person of interest in custody for the murder. Complicating matters further is the appearance of Detective Delilah Groopman of the LAPD, gorgeous and brash, for whom Skellig has always held a candle. As for Avila? He’s willing to help clear Skellig’s name under one peculiar condition: that Skellig become Avila’s personal chauffeur. A cushy gig for any driver, except for the fact that someone is clearly trying to kill Avila, and Skellig is literally the only person sitting between Avila and a bullet to the head.