Miriam Toews is the author of eight bestselling novels: Fight Night, Women Talking, All My Puny Sorrows, Irma Voth, The Flying Troutmans, A Complicated Kindness, A Boy of Good Breeding, and Summer of My Amazing Luck; one work of non-fiction, Swing Low: A Life; and the memoir A Truce That Is Not Peace: Life and Death So Far. She is a winner of the Governor General’s Literary Award for Fiction, the Libris Award for Fiction Book of the Year, the Rogers Writers’ Trust Fiction Prize, and the Writers Trust Marian Engel/Timothy Findley Award. Toews lives in Toronto.
An astonishing masterwork of memoir from one of our most renowned and acclaimed writers, telling pieces of her own story in nonfiction for the first time.
“Why do you write?” the organizer of a literary event in Mexico City asks Miriam Toews. Each attempted answer from Toews—all of them unsatisfactory to the organizer—surfaces new layers of grief, guilt, and futility connected to her sister’s suicide. She has been keeping up, she realizes, a decades-old internal correspondence, filling a silence she barely understands. And we, her readers, come to see that the question is as impossible to answer as deciding whether to live life as a comedy or a tragedy.
Marking the first time Toews has written her own story in nonfiction, A Truce That Is Not Peace explores the uneasy pact every creative person makes with memory. Wildly inventive yet masterfully controlled; slyly casual yet momentous; wrenching and joyful; hilarious and humane—this is Toews at her dazzling best, remaking her world and inventing a brilliant literary form to contain it.
Fight Night is told in the unforgettable voice of Swiv, a nine-year-old living in Toronto with her pregnant mother, who is raising Swiv while caring for her own elderly, frail, yet extraordinarily lively mother. When Swiv is expelled from school, Grandma takes on the role of teacher and gives her the task of writing to Swiv’s absent father about life in the household during the last trimester of the pregnancy. In turn, Swiv gives Grandma an assignment: to write a letter to “Gord,” her unborn grandchild (and Swiv’s soon-to-be brother or sister). “You’re a small thing,” Grandma writes to Gord, “and you must learn to fight.”
As Swiv records her thoughts and observations, Fight Night unspools the pain, love, laughter, and above all, will to live a good life across three generations of women in a close-knit family. But it is Swiv’s exasperating, wise and irrepressible Grandma who is at the heart of this novel: someone who knows intimately what it costs to survive in this world, yet has found a way—painfully, joyously, ferociously—to love and fight to the end, on her own terms.
For several years, girls and women in the remote Mennonite colony of Molotschna have reported assaults in the night by what some in the community claim are ghosts or demons. Others blame “wild female imagination”—until several of the men behind the attacks are discovered and apprehended. While the men of the colony go into town to bail out the accused, the women meet secretly in a hayloft to determine how to respond. They have just two days to decide what to do before the men return. Acerbic, funny, tender and wise, acclaimed author Miriam Toews’s spellbinding seventh novel contains a universe of revelatory thinking about gender, justice, freedom and power.
Starring Miriam Toews. Hosted by Shelley Youngblut
In the spirit of reconciliation, we acknowledge that we live, work and play on the traditional territories of the Blackfoot Confederacy (Siksika, Kainai, Piikani), the Tsuut’ina, the Iyarhe Nakoda Nations, the Otipemisiwak Métis Government of the Métis Nation within Alberta District 6, and all people who make their homes in the Treaty 7 region of Southern Alberta.
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